Khan!!! The Musical! is a gut-bustingly funny parody based on Star Trek II: The Wrath of Khan, and Star Trek: The Next Generation with an entirely original score. It's fun for Trekkies, Broadway fans and "normies" alike, and you don't have to know anything about Star Trek to enjoy it!
It was produced Off-Broadway in 2023, receiving rave reviews and playing sold-out performances. In 2024, we rocked Texas with a regional premiere and beamed to Buffalo, NY in 2025. Next up: Australia and then the equally exotic Fenton, Michigan! Our full calendar is HERE.
How about where you live? Find out how to license your own production of the show HERE

In 2366, Data the android presents his musical comedy version of The Wrath of Khan on the Holodeck! A campy show-within-a-show ensues where the bloodthirsty Khan vows revenge on a washed up James T. Kirk, and Data–portraying multiple roles–learns a thing or two about life along the way.
It is 2366, and Data the android is presenting his new musical for an artificially intelligent audience program. His show-within-a-show retells the events of the movie The Wrath of Khan, (with “historical” facts embellished for dramatic effect, of course). Since Data is literally an "AI", his writing style accidentally borrows moments and tropes from shows like Rocky Horror, Chicago, and Les Misérables. He also plays multiple roles in the show, and there's no director to tell him to stop upstaging the leads! At the start of his musical, we meet Admiral Kirk–an older, embittered shell of the heroic "Captain Kirk" we know and love. He confides that he constantly dreams of being young again, which leads to a psychedelic flashback to the swingin' 60's (the 2260's). Meanwhile, Commander Chekov stumbles onto the planet where Kirk marooned the evil Khan 15 years prior. Khan vows revenge, commandeers Chekov’s ship, and hatches a plan to kill Kirk. When the Enterprise gets word that something is amiss, Kirk feels too old to return to the captain’s chair, but Spock ropes him into a "Vulcan dance meditation" and convinces him to take command. Suddenly Khan ambushes the Enterprise, nearly destroying it. Kirk outsmarts Khan by the skin of his teeth, barely escaping with his ship intact. As the story progresses, Kirk meets his long-lost son (who sounds a lot like William Shatner), we meet a host of classic Star Trek characters, Khan traps Kirk deep underground, and Kirk sings a reflective ballad called "When the Chickens Come Home" (with backup vocals by a band of mutant space chickens). But when Kirk is at his lowest point, his friends from the old Enterprise crew inspire him in a rousing song called "Boldly Go!" In the final showdown, Kirk outlasts Khan with the help of Spock and his crew. But Khan’s final act is to set off a doomsday weapon the Enterprise can’t escape from. Spock, applying utilitarian Vulcan logic, sacrifices himself to save the ship and his friends. Kirk barely gets to say goodbye to Spock as they speak one last time through a glass wall. Is it possible Data's artificial intelligence has produced something legitimately poignant? Either way, he decides it's too sad for the ending of a musical comedy, so the cast comes back out to sing a finale called "Spock Wasn’t Dead For Long!"

BRENT BLACK
(Book, music, and lyrics)
Brent Black is a musician, comedian, and video game developer. He’s been professionally creating “nerd comedy” and parody material for over 20 years, and his YouTube channel "Brentalfloss" has garnered nearly half a million subscribers.
Aside from his YouTube persona, Brent has collaborated on 7 musicals, including a 2010 Off-Broadway musical called I'll Be Damned which starred Tony nominee Mary Testa. He also co-hosted the podcasts Trends Like These and Question Box, and is the lead designer/head writer for the popular Use Your Words video game franchise.
ALINA ROTH
(Co-conceiver)
Alina has been a Trekkie since a very young age. Nowadays, she co-hosts the wildly popular music podcast "Song vs. Song" but she has also co-hosted multiple Star Trek-themed podcasts in the past, exploring the franchise through the prisms of the queer community and family connections.
She has also hosted the Syfy Channel’s “Who Won the Week” podcast, she was a contributing writer for the Syfy Channel’s Syfy Wire publication for 9 years, and she's recently been a featured writer for Looper and Grunge.
Khan't find your answer? Beam a message over to startrekmusical@gmail.com
Yes! We've worked with IP lawyers for years to make sure the show follows all of the rules of Fair Use and stays within the legal boundaries of parody.
YES! Get more information and apply for your own production HERE
No, but you can listen to several songs from the show on our demos page HERE
MINIMUM CAST SIZE: 4M*/2W*/2 ANY GENDER
*“W” & “M” used as shorthand to describe singers with higher ranges (“W”) & lower ranges (“M”)
MAXIMUM CAST SIZE: As many as you can fit on your stage! With 18 speaking roles & 3 expandable ensemble groups, the possibilities are endless!
ACCOMPANIMENT OPTIONS:
Option 1: 4 piece-band parts (2 keyboards, bass, drums)
Option 2: High-quality backing tracks
Runtime: Approx. 1 hr, 55 min